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The Royal Academy of Music (RAM) in London, England, is one of the oldest music schools in the UK, founded in 1822 by John Fane and Nicolas-Charles Bochsa. It received its royal charter in 1830 from King George IV with the support of the first Duke of Wellington.

Famous academy alumni include Sir Simon Rattle, Sir Harrison Birtwistle, Sir Elton John and Annie Lennox.

The academy provides undergraduate and postgraduate training across instrumental performance, composition, jazz, musical theatre and opera, and recruits musicians from around the world, with a student community representing more than 50 nationalities. It is committed to lifelong learning, from Junior Academy, which trains musicians up to the age of 18, through Open Academy community music projects, to performances and educational events for all ages.

The academy’s museum[7] houses one of the world’s most significant collections of musical instruments and artefacts, including stringed instruments by Stradivari, Guarneri, and members of the Amati family; manuscripts by Purcell, Handel and Vaughan Williams; and a collection of performing materials that belonged to leading performers. It is a constituent college of the University of London and a registered charity under English law.
The academy was founded by John Fane, 11th Earl of Westmorland, in 1822 with the help and ideas of the French harpist and composer Nicolas Bochsa. The academy was granted a royal charter by King George IV in 1830. The founding of the academy was greatly supported by Arthur Wellesley, 1st Duke of Wellington. He was a keen violinist himself and was determined to make the academy a success.

The academy faced closure in 1866; this was part of the reason for the founding of the Royal College of Music in neighbouring South Kensington. The academy’s history took a turn for the better when its recently appointed Principal (and former pupil) William Sterndale Bennett took on the chairmanship of the academy’s board of directors and established its finances and reputation on a new footing.

The academy’s first building was in Tenterden Street, Hanover Square.Arnold Bax recalled it as an architectural rabbit warren. “The three eighteenth-century houses which the institution comprised were departitioned, one conjectured, with fearsome violence. Wherefore else the need for those torturous tunnellings, that labyrinthine intricacy of passages, the cul-de-sacs, and follies? It took the average new student about a month to get his or her bearings.”In 1911 the institution moved to the current premises, designed by Sir Ernest George (which include the 450-seat Duke’s Hall), built at a cost of £51,000 on the site of an orphanage. In 1976 the academy acquired the houses situated on the north side and built between them a new opera theatre donated by the philanthropist Sir Jack Lyons and named after him and two new recital spaces, a recording studio, an electronic music studio, several practice rooms and office space.

The academy again expanded its facilities in the late 1990s, with the addition of 1–5 York Gate, designed by John Nash in 1822, to house the new museum, a musical theatre studio and several teaching and practice rooms. To link the main building and 1–5 York Gate a new underground passage and the underground barrel-vaulted 150-seat David Josefowitz recital hall were built on the courtyard between the mentioned structures.